Showing posts with label lynden sculpture garden. Show all posts
Showing posts with label lynden sculpture garden. Show all posts

Wednesday, August 17, 2016

A “peculiar curiosity” lurks in the Lynden Sculpture Garden’s back woods

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What if the remains of slave quarters were suddenly discovered hidden in the woods behind the smoothly contoured landscape and monumental artworks of the sculpture park? That’s just one of many questions that might be raised by “Eliza’s Peculiar Cabinet of Curiosities,” which can in fact be found in the backwoods of the property.

Because of its semi-hidden location and—from a distance—humble character, the temporary installation by Chicago artist Fo Wilson could easily be missed or even dismissed. That is, until you walk right up to it. That’s when it become totally engaging.

Because I was out of town at the time I missed the opening, which was back in June. I was glad to finally catch up with this new feature of the Garden. The fact that the piece was located “out back” on property is significant. After all, maintaining its “natural” environment for the education of its visitors and patrons is part of the Lynden Sculpture Garden mission.

A circular swath of meadow had to be cleared for the installation. While not unprecedented—David Robbins’ “Open-air Writing Desk” (detail above) also is located in the “wilderness” of the back section—it is sufficiently rare that it adds depth to a sculpture that has no lack of meaning or symbolism.

The cabin is intriguing enough in itself. Sections of wall are opened up to reveal the interior and a ladder to the sky emerges from the roof. The exterior stud walls double as shelving for some of the “curiosities” indicated in the title.

The inside is decorated with many more objects, artifacts and images. They are arranged carefully, with almost obsessive neatness. The references to slave quarters and slavery is overt. But there is so much more than that as well. Here are a few thing that caught my attention.



Make sure you mosey on over to the far corner of the cabin and look down into the pail that sits there, surrounded by turtle shells.


The ceiling is worth a glance upwards.


Don’t miss the tiny figure of Thomas Jefferson being ladled up for our amusement—or derision.


My favorite moment in the cabin was when I noticed this intensely hued caterpillar casually worming its way along a bookshelf. A reminder, if I needed one, that nature is more than a setting for an outdoor sculpture like this one.

A distinct but related body of work by Wilson is on display in the Lynden gallery. Wilson alters postcards that depict stereotypes of the “happy servant” with the stated intention of  “restoring their dignity.”

While I was there I couldn’t help but notice a few changes around the grounds since I was last there. (Disclosure: I was artist-in-residence in 2015.)

The Brementown Musicians have been outfitted with colorful new duds.

It was a pleasure to see Marta Pan’s “Floating Sculpture No. 3” back in the water. It was missing in action the whole year I spent in residence, being restored. It looks beautiful.

The lawns are drier than I’ve seen them. We do need a little rain.

But the flowers are as spectacular as ever.

“Eliza’s Peculiar Cabinet of Curiosities” will remain on display at least through October 30, so you still have plenty of time to check it out. There have been several performances at the Garden in association with the installation. One final dance performance is scheduled for September 17. I’m putting it on my calendar. Hope you’ll join me there.

For more information go to the Lynden Sculpture Garden website.


Tuesday, March 22, 2016

Creating an Artist's Book: A workshop with Max Yela and Eddee Daniel, Session 2

Developing the Artist's Book: Concept and Practice
Part II: The Return

A book design and self-publishing workshop at the Lynden Sculpture Garden

You do not need to have attended Session 1 to participate in Session 2. 

April 2, 2016 - 1:00 - 4:00 pm. 




Book design has been an increasingly important aspect of my artistic practice. In the past eight years I have created 15 self-published books using online services Blurb and MagCloud. In this workshop I will share my experience and help you create your own book.

I am delighted to be joined by Max Yela, head of the UWM Special Collections Library. Max has an impressive knowledge of all kinds of books, bookmaking processes and book design ideas. His contributions will complement my own and provide a deeper understanding about how to create your own artist's book.

Session one of this workshop was held on Feb. 20 with a lively and engaged group of 9 participants. While many of them are planning to return for the second session, others are welcome to join in as there is room for more.

Here is what we covered in session 1:

Photographer and book artist Eddee Daniel and book-arts theorist Max Yela offered an introduction to the practical and theoretical approaches to working with the book form as art medium. Participants were introduced to concepts and approaches for developing an artist's book project. Skills and techniques were discussed, including the basics of self-publishing a digital, print-on-demand book.  

Using hands-on exercises and examples of artist's books from Special Collections at the University of Wisconsin-Milwaukee Libraries and Eddee Daniel’s personal book samples, we discussed basic book-arts concepts, including movement, pacing, and rhythm in book design; image editing for narrative sequence; form as meaning ("function follows form"); 2D and 3D composition in book design; "time" as a design element; the function of text as a visual component of design; color transformations; and the role of materials in conveying meaning and expression.


Session 2: The Return
There will be a brief review of concepts and themes introduced in Session 1. 

The main thrust of this session is for attendees to bring ideas, images, mock-ups, etc. to discuss and critique as possible book projects. Images may be brought either in print or digital formats. Each participant in this session will present their concepts and materials for review and critique by the group within the context of the ideas and approaches explored in Session 1.

Fee: $50/$45 members. 

To register, go to the Lynden Sculpture Garden website.

To see a complete listing of my photo books, go to my website.


Link to book description

Tuesday, February 9, 2016

Creating an Artist's Book: A workshop with Max Yela and Eddee Daniel

Developing the Artist's Book: Concept and Practice

A book design and self-publishing workshop at the Lynden Sculpture Garden

February 20, 2016 - 1:00pm - 4:00pm 


Book design has been an increasingly important aspect of my artistic practice. In the past eight years I have created 15 self-published books using online services Blurb and MagCloud. In this workshop I will share my experience and help you create your own book.

I am delighted to be joined by Max Yela, head of the UWM Special Collections Library. Max has an impressive knowledge of all kinds of books, bookmaking processes and book design ideas. His contributions will complement my own and provide a deeper understanding about how to create your own artist's book.

The workshop has two sessions. You can choose to take either one separately or both. The first session is on Feb. 20 at 1:00 pm.

Here is the full workshop description for session 1:

Photographer and book artist Eddee Daniel and book-arts theorist Max Yela offer an introduction to the practical and theoretical approaches to working with the book form as art medium. These two workshops introduce participants to concepts and approaches for developing an artist's book project. Skills and techniques will be discussed, including the basics of self-publishing a digital, print-on-demand book. While each workshop may be attended independently, together they provide an overview of developing conceptual approaches to designing a book.

Part I: The Journey
Using hands-on exercises and examples of artist's books from Special Collections at the University of Wisconsin-Milwaukee Libraries and Eddee Daniel’s personal book samples, we will discuss basic book-arts concepts, including movement, pacing, and rhythm in book design; image editing for narrative sequence; form as meaning ("function follows form"); 2D and 3D composition in book design; "time" as a design element; the function of text as a visual component of design; color transformations; and the role of materials in conveying meaning and expression.
Participants may bring a digital or print portfolio of images for critique as a book project.

Fee: $50/$45 members.

To see a complete listing of my photo books, go to my website.

Link to book description














Wednesday, December 30, 2015

2015: The year in Pictures

This is the first I've done it, but I thought it would be fun to recap the year in photographs. It seems especially fitting as it was a year of many firsts, as you will see. It was my good fortune that 2015 provided me with many opportunities to make photographs both at home and abroad. My selections will be personal and subjective but some of them also represent significant stories. Art and nature both are well represented, along with combinations of art & nature. In an effort to highlight the photos I will keep the captions brief. When there is a story and/or additional photos I will provide a link.


While I often find it hard to pick favorites, I do have a few, maybe three, which I'll identify as they appear. I begin with one of them, the "Big Bang" over the Calatrava (July 3.) The story also was a major one, about the abuse of executive power and the fate of O'Donnell Park.


Most of the photos will come in rough chronological order. On New Year's Day, Jan. 1, 2015, I found myself ensconced at the Lynden Sculpture Garden as one of their artists in residence. That day and throughout the year I photographed the environment (ice on the pond, above) and the sculptures ("Salem 7," below) with an eye to congruence and contrast.


On January 2 it snowed. I have too many favorite images from the Lynden to include here. But I did create a gallery for them on my website.


As you may recall, after it snowed we had snow cover--and bitter cold--for months. A bleak winter, seen here at Lakeshore State Park. Photo essay.


A long-awaited milestone was reached in February when the MMSD began to remove the last stretch of concrete channed from the Menomonee River. Photo essay.


I also returned to Starved Rock State Park, IL in February. My fourth visit and the first time I saw an eagle up close. Photo essay.


February was a busy month! The Lynden Sculpture Garden held its Winter Carnival, which featured this inflatable and interactive sculpture by Claire Ashley. The story.


Trying to escape the seemingly endless winter, in March I went to New Orleans to attend the Society of Photographic Education national conference. When it wasn't raining, there was fog.


In April I spent a night near Horicon Marsh National Wildlife Refuge. Witnessed a controlled burn in progress and got another of my favorite images in a burned-over area. Photo essay.


Another long-anticipated change came when the Mandel Group began construction of their Echelon apartments on the County Grounds. They dwarf the four remaining historic Eschweiler buildings, two of which were being demolished as the year ended. One of several photo essays.


Earth Day saw the beleaguered Kinnickinnic get cleaned up. Although I'd been photographing all of Milwaukee's rivers off and on for years, this was the year that the KK became a major project for me. The cleaning of debris was the tip of the iceberg as MMSD ramped up its multi-year effort to remove concrete and restore a more natural river.


The highlight of the Earth Day event was when a water scientist from UW--Madison dyed the river red. The story.


Working with the MMSD one of my responsibilities was to document the deconstruction of houses that needed to be removed from the KK River floodplain. The most poignant thing I found in advance of the salvage and wrecking crew was this bedroom wall painting.


A makeshift memorial next to a railroad bridge crossing the KK provided an even more sobering image.


On a lighter note, while wandering the abandoned industrial Solvay property where the KK merges with Milwaukee's inner harbor I found this wedding party picking their way daintily among the ruins to find a backdrop for their group portrait. More KK River photos on Flickr.


In May the Lynden Sculpture Garden celebrated the 5th anniversary of being open to the public. Among other festivities, there was a display of bonsai trees. The story.


If there was a single highlight of my year at the Lynden it was the performance in June of the the Fairy Queen Fantasy, a combined effort of Danceworks and Milwaukee Opera Theater. Photo essay.


Peregrine falcons, and their protector, Greg Septon, were among my favorite subjects this year. I visited five nesting sites where Septon banded fledglings. This one is atop the Jones Island sewage treatment plant. The story.


I left town in June. On a hike at Devil's Lake State Park I came across these two young women attending to their cell phones high above the lake.


I also made my first visit to Portland, OR. I'd long wanted to visit the country's largest urban forest (above), which was both beautiful and well-appreciated by Portlandiers.


At the renowned and very popular Japanese Gardens I was struck by the similarities and contrasts between the formal gardens and the wilderness park. The trip to Portland inspired one of my most important essays of the year: "Could Milwaukee be a 'green' destination?"

image courtesy William Zuback
As usual, I attended many wonderful art exhibits throughout the year. This is from "The Dress Series" by William Zuback, who I interviewed for Art City Asks, a Milwaukee Journal Sentinel blog feature.


Among multiple trips to Chicago, this ceramic installation at the National Museum of Mexican Art was especially compelling. Entitled Deportable Aliens, it is by Rodrigo Lara Zendejas. The story.


"Interval," by David Hartt, a massive multi-media installation at the Art Institute of Chicago, was also very moving.


While wandering the streets of Chicago I found this bus cleverly disguised as a forest. Art, nature, lifestyle, advertising--where do the lines blur or cross?

My own artistic moment of 2015 was the exhibit of work done during my 2014 year of residency in Milwaukee's Menomonee Valley, displayed at Walker's Point Center for the Arts. My image of Mayor Tom Barrett walking in Three Bridges Park may have been what drew the mayor himself to see the show.

Another first this year: I enjoyed one of the state's premier outsider art installations at Wisconsin Concrete Park. Up north in Phillips, WI, it features the work of Fred Smith.

The reason I was up north, actually, was for a bit of R&R. My wife (in the kayak) and I stayed in a cabin in Manitowish Waters, right on the Manitowish River.


While working on the essay, previously mentioned, about why Milwaukee could be a green destination, I spent a lot of time exploring Milwaukee's parks, some quite familiar (Lake Park, above) and a few for the first time. To see selections from my explorations, go to my Mke Parks Flickr album. 


In addition to the parks, I was able to interview some of Milwaukee's human resources, including Will Allen, founder of Growing Power. The story.


Explosions of trains carrying crude oil caught the attention of a local advocacy group called Citizens Acting for Rail Safety. In September they staged a river rally to raise awareness that the same potentially lethal trains run through downtown Milwaukee. The story.

More travel in October. First, I revisited Ghost Ranch, my spiritual home in New Mexico, for the umpteenth time. But nothing is ever the same. This time I managed to catch a rainbow behind the always dramatic Battleship Mesa (above).

From NM I flew to Australia--yet another first. These two lorikeets in a wildlife sanctuary are just a taste of how exotic that proved to be. More photos (yes, kangaroos and koalas included) in my Flickr album.


From Australia to New Zealand. Of the several stories I wrote up about my adventures, my favorite is of volcanic Rangitoto Island, in the gulf off Auckland, NZ. The story.


Of course, art featured in my antipodean travels. I especially loved seeing the work of indigenous artists. I visited (and posted stories/photos) about museums in Adelaide, Melbourne and Auckland.


At the Hal Tyrrell Trailside Museum of Natural History in River Forest, IL, I snapped this portrait of a one-eyed red-tail cleverly named "Ethan Hawke."

This is a snapshot of Lisa Sutcliffe, curator of photography at Milwaukee Art Museum, taken at the Photo Council holiday party. That's cool in itself, but what's really important about this image? It was the very first photo I shot with...drumroll...my new iPhone. 


Of course, after that I had to do my first selfie. I got my 4-year-old granddaughter to help me with that. Naturally, she upstaged me.

Next I jumped on the Instagram bandwagon. Fun! Of the many photos I uploaded to Instagram at the Lynden Sculpture Garden, mostly of the iconic, monumental sculptures, this one of the bench and puddle was most popular.

Speaking of popular, my photo essay of this stormy day on Lake Michigan went locally viral. See it for yourself.


Last but hardly least, another of my favorites. This one, appropriately, is from the Lynden Sculpture Garden. I loved being in residence there. Quite a privilege. Since it's not obvious, I must say that this is an unmanipulated, trick-free photo. One of those rare miracles of serendipity that make photography marvelous. The blue out-of-focus foreground is part of a sculpture, "Quartet," by Forrest Myers. Art and nature.  (Lynden Sculpture Garden Flickr album.)

Have a wonder-full New Year!