Showing posts with label day of the dead. Show all posts
Showing posts with label day of the dead. Show all posts

Thursday, November 3, 2016

Day of the Dead displays opening at Latino Arts Gallery

Dia de los Muertos Ofrendas

October 28 – November 18

Latino Arts Gallery

Opening Reception: Friday, November 4 at 5:00 p.m.

Celebrate life with Latino Arts’ annual Day of the Dead exhibition, featuring a dazzling array of ofrendas (altars) prepared by local, regional, and international artists.
Concrete River shrine
Environmental artist Melanie Ariens and I have reprised and reformatted our Concrete River shrine/reliquary and it is on display along with the many more traditional ofrendas at the United Community Center's Latino Arts Gallery
My photographs of the Kinnickinnic River are mounted on panels that represent the concrete channel. Melanie once again has created two assemblages. On one side is a shrine honoring the river, water in general, and the Great Lakes. On the other side is a reliquary composed of detritus removed from the river. In keeping with the spirit of Dia de los Muertos it is meant to symbolize the life, death and rebirth of the KK River.
Concrete River reliquary
I hope you can join us for the opening. If not the exhibit remains on view through Nov. 18. 

The Latino Arts Gallery is open to the public Monday through Friday from 9:00 a.m. until 8:00 p.m.
The United Community Center is located at 1028 South 9th Street in Milwaukee. For more information go to the Latino Arts website.

 

Sunday, November 29, 2015

Chicago: City Creatures and the Day of the Dead

A day trip to Chicago took me to three distinct art exhibitions in two very different venues.

At the Peggy Notebaert Nature Museum in Lincoln Park, the main attractions are live butterflies and family friendly interactions with natural history and contemporary ecological issues. But they host rotating exhibits of art related to nature as well.


The current show, called City Creatures: Animal Encounters in Chicago's Urban Wilderness, is based on a blog and a recently released book by the same name. It was curated and organized by the Center for Humans & Nature. The theme of the artworks, as the name suggests, deals with animals that the artists have encountered in Chicago. Among the many artists represented, who worked in a variety of mediums, were distinguished photographers, Terry Evans and Colleen Plumb.


A trip to Chicago in November is rarely complete without a stop at the National Museum of Mexican Art in the Pilsen neighborhood. Their annual Day of the Dead exhibit is always spectacular and--unlike most--seldom predictable. True to form, this year's exhibit, entitled La Muerte Niña: Day of the Dead, was more like a traditional art exhibit.


There were a dozen or so ofrendas (altars honoring the dead), a few of which were even more traditional in form than this one devoted to the singer Selena. 


Most were far less traditional, such as this one, complete with a marquee in blazing lights and titled Santo in the World of the Dead: Altar to the Silver Masked Wrestler / Santo en el mundo de los muertos: ofrenda al enmascarado de plata.


However, the ofrendas were widely spaced and the intervening wall spaces were hung with more traditional works of art, mostly paintings. My favorite was this very atypical, enormous installation of mixed media variations on the typical Day of the Dead skull motif (above and below, details). Each of the 40 or so "faces" is about 3 feet tall and the grid of them wraps around two sides of a huge gallery.



Here is a closer look at a few of the individual skull designs, many of which dealt with topical issues like immigration and climate change, among many other themes. Unfortunately, I didn't make a note of the name of the artist or artists who created them.



There are four concurrent exhibits on display at the museum. This one (above and below, details), by Rodrigo Lara Zendejas, was especially compelling. Entitled Deportable Aliens, it appears at first glance to be a set of shelves bearing busts. Each porcelain bust, however is sculpted in the form of a thumb and many of the highly expressive faces are composed of only partial facial features.



The thumb forms suggest the fingerprinting process required of anyone who is apprehended (such as immigrants), with all the identity issues that connotes. Their placement on the shelves symbolizes the commodification of individuals, subject to being bought and sold or deported at the whim of our government and society. The larger-than-life scale of each "bust" or thumb makes the installation especially powerful.


Sunday, November 9, 2014

Ofrendas: Art and offering

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We all die. I was reminded of that in church today. As undeniable as that truism is, it isn’t a popular message in our culture in or out of a religious setting. Other cultures don’t have the same aversion to death, however. We are reminded of this each autumn around this time when the over-commercialized holiday of Halloween is accompanied, as it increasingly is, by the Day of the Dead.

Alverno College Ofrenda, detail (UCC)
The traditional Mexican observance of Día de los Muertos was a family affair held in the home or at a cemetery where ancestors were buried. Altars called Ofrendas ("offerings" in Spanish) often were lovingly created to honor the dead. Over the years this reverential folk tradition has been expanded and Ofrendas have become more diverse. Today in Milwaukee you can find contemporary versions of Ofrendas in several local art galleries. Many of them hew closely to the time-honored conventions that feature skull motifs, skeletal figures, flower arrangements and foodstuffs, along with photographs and other images of the deceased.

Others take the themes of the occasion as a point of departure to make artistic, societal and even political statements. Over the past week I visited three galleries that have chosen to recognize the Day of the Dead by inviting artists and others to create Ofrendas on site in their spaces. I’ve taken some photographs (which should be no surprise.) In most cases I didn’t capture the whole Ofrenda, choosing instead to focus in on a detail that caught my attention.

My hope is to encourage you to visit these places and spend some time with the Ofrendas in their intended context. Their meanings cannot be taken in at a glance in any case and they deserve to be experienced in the reverential spirit with which they were created.

Thoughtful descriptions or artists’ statements accompany many of the Ofrendas. I have included excerpts from some of them.



The Alfons Gallery is a bit off the beaten track, located on the second floor of the imposing main building of the School Sisters of St. Francis campus on South 27th St. The gallery invited artists, interns, staff, and volunteers at Redline Milwaukee to collaborate in a single large altar. I particularly enjoyed seeing this Ofrenda within its religious context, among the permanent collection of sacred artworks.





Leann Wooten: “It was very healing for me to work on this piece with my father in mind. I felt a spiritual connection to him on this artistic journey….” 

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Sue Vliet: “Beautiful, laughing brown eyes, my paternal grandmother had kind eyes, always full of mirth and mischief. My memories of her are clear and happy…. She allowed me to eat cake for breakfast, kept an can of ‘spray’ whipped cream in her refrigerator for special snacks, took walks with me, listened to my stories, and laughed at my jokes.”


Gary Niebuhr: “I am not comfortable…thinking about my own mortality. I would rather think about someone else’s mortality…. I never practiced the witchcraft of art until after the passing of my father. I often wonder if his death was a freeing experience or if it is the shadow of guilt that follows me. “


Sally Kuzma: “This ofrenda is in memory of my mother Ellie….  The word for bellybutton—a tangible connection to our mothers—hangs in the air, contributed by friends, colleagues, and students of mine who have ties to dozens of different languages.”

United Community Center


“Remembrance Altar” (detail) by the UCC’s art therapist and selected clients in honor the memories of loved ones who have passed away.


Jeanette Arellano: “This altar is dedicated to our loved ones who have lived with mental illness…. I wanted to make this piece interactive because all of us have at some point in our lives lived with a mental illness or know someone who has, however we keep it hidden as though it doesn’t exist, which is something I can personally attest to.” [Visitors are invited to inflate balloons in remembrance of loved ones with mental illnesses and to think about moments they share with them.]


Ximena Soza: “Nidos Vacíos is dedicated to the sons and daughters that have been lost to violence. Whether it is in Palestine, Ferguson, Milwaukee, or Mapuche land in Chile, the loss of sons or daughters speaks the same language of pain…. My ofrenda is a piece of fabric with a dress and a nest in the center representing the grieving process of mothers and families, the emptiness of death lives in those who are alive.”


Clay relief sculptures with acrylic paint by second grade students at Bruce-Guadalupe Elementary School based on discussions about community wishes.


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What do George Washington and Vince Lombardi have in common? How are these and other well known historical and pop cultural figures related to deceased parents, grandparents, and family pets? They are all well represented in the wall-sized, multidisciplinary and collaborative ofrenda created by fifth graders at University School of Milwaukee.

detail
This was a lovely experience, clearly a crowd favorite at the opening reception Friday evening. I witnessed many people carefully viewing each of what seemed like hundreds of tiny individual memorials that make up this ofrenda. 

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detail
On Saturday, November 1 there was a Día de los Muertos parade in Milwaukee. If you missed my earlier post and photo essay about that, click here to see it.

Sunday, November 2, 2014

Milwaukee’s Day of the Dead 2014: A photo essay.



Día de los Muertos in Spanish, the annual remembrance called the Day of the Dead originated in Mexico. Its traditional purpose has been to remember family and loved ones who have died and it is observed between Oct. 31 and Nov. 2 to coincide with the Catholic observances of All Hallow’s Eve, All Saints Day, and All Soul’s Day.


Milwaukee’s celebration of Día de los Muertos has expanded upon the tradition. Added to the personal Ofrendas (shrines created by individuals or families to honor and remember the dead) and a solemn procession are multicultural rituals, performances, and a vigil for peace. This year’s event was held yesterday, Nov. 1. The festivities took place in Walker’s Square Park and the procession made its way from there in a loop along National Avenue, 5th Street, and Washington Street.


Prior to the procession a ceremony was held by members of the Hispanic and Indian communities of Milwaukee. At the climactic moment when one of the Indian leaders burned tobacco, honoring the departed and blessing the proceedings, a trio of crows swooped suddenly low over the gathering, cawing plaintively. I wonder which is more believable: that it was an omen or a coincidence?


Decorated skulls and faces painted with death’s head masks are the familiar motifs of Día de los Muertos, of course. For more information about the event go to the official website at diadelosmuertosmilwaukee.com.










To see a complete set of photos from the event, including captions, go to my flickr page


Sunday, October 31, 2010

Day of the Dead at Latino Arts and Walker’s Point

As promised, I recently visited the exhibit of ofrendas at the Latino Arts Gallery in the United Community Center. Then I also visited a very similar exhibit at Walker’s Point Center for the Arts (WPCA). Although Halloween is today, the exhibits continue. I recommend them both for their devotion to the theme and the diversity of their installations.

Unfortunately, I missed the parade. But, here is my Halloween and Dia de los Muertos postcard/album from my visits. The descriptions are excerpted from exhibition text panels.

At the Latino Arts Gallery:


“Al pie de la tumba” by Emiliano Lake-Herrera

“This is a visual anthem to the intense nostalgia one experiences with the loss of a loved one.”


"La santa muerte" by Jose Chavez.
For some in Mexico the angel of death is sent by God to take you to Him. Considered a cult, la santa muerte is not sanctioned by the church, but is very much a part of Mexican lore.

Untitled mixed media painting by Luis de la Torre

Luis says he grew up Mexican in the U.S. and his work reveals “two cultures, two histories, and two distinct worlds fused together into a single enigmatic hallucination.”


 “Remember Aztecs” by students at Bruce Guadalupe Elementary School

 “Fronteras/Borders” by Ximena Soza

“Many cross the borders of the world. For some this is a nice dream; for others it is a nightmare.”

At the Walker's Point Center for the Arts:


 Although I missed the parade, I did get to hear these attractive skeletons play a lively tune, along with other performances, for the opening at WPCA. 

 Rosario Cabrera: the first female Mexican painter

Ofrenda dedicated to Cabrera made by the after-school Hands-On class at WPCA.


 Ximena Soza and Christian Munoz

Ofrenda “dedicated to the Chilean miners that for generations have opened the womb of the earth, to those who never left the mine and lived between the dirt and the metal until they died...” and “to the 33 miners who lived in the depth of the Atacama desert for 70 days and were able to be reborn…” and “to their children and grandchildren, so that they don’t have to die in any other mine to remind us that human dignity is worth more than…any metal.”


 Jose Chavez

This detail of Jose’s marvelous installation in the WPCA storefront resonated with me for what I hope is an obvious reason!


“Grandmother’s Kitchen” by Lisa Formanek and Dara Larson

“…Dedicated to the memory and importance of …the grandmother as nurturer, teacher, and keeper of family recipes….” This elaborate and intricate altar was also meant to be interactive. Visitors were invited to enter their own grandmothers’ special recipes into a handmade book. I did.

I offer these photos to provide a taste of the significance and beauty of these installations. But the images don’t do them justice. I hope you will visit and enjoy them in person.

The Day of the Dead continues through Nov. 19 at Latino Arts
and through Nov. 23 at Walker's Point Center for the Arts.
And don't forget, it also runs through Dec. 13 at the National Museum of Mexican Arts. To see my previous post about that excellent exhibit click here.

Sunday, October 17, 2010

Día de Los Muertos at Chicago’s National Museum of Mexican Art

Detail of La Flor de Cempasúchil: Flower of the Dead

The annual exhibit of ofrendas and cultural event of el Día de Los Muertos – the Day of the Dead – opens at the Latino Arts Gallery at Milwaukee’s United Community Center this Friday. It’s my favorite Milwaukee version and I’ll be sure to see it there. I encourage you to visit if you’ve never been. Ofrendas tradionally take the form of altars and pay tribute to the lives of people who have died, usually family members. Skull and skeleton imagery abounds.

However, if you have the chance to go to Chicago anytime between now and Dec. 13, don’t miss the ofrendas at the National Museum of Mexican Art. It is the largest Día de Los Muertos exhibit in the country and the artists who create installations there often go way beyond the traditional forms. There is one tableau that fills an entire gallery with life size skeletal figures, includes a video display, and has a "ground" image with railroad tracks that visitors walk over. The displays also go beyond the traditional personal memorials to celebrate a wide variety of historical and topical themes. It being 2010, one entire room of the gallery was devoted to memorials representing the bicentennial of Mexican independence from Spain in 1810 and centennial of the Mexican revolution in 1910.


This example, called “The overlooked heroines of the Centennial and Bicentennial,” is dedicated to Mexican women who fought during the two wars.

Detail of above

This detail (below) from another one called “The Encounter of Two Worlds: Battle Scene” shows how explicit – and political – some of these displays can get.


Another room included this thoughtful homage to earthquake victims in both Haiti and Chile. It was a massive group undertaking by school children grades 1-8 at Stone Scholastic Academy, a Chicago public school.

The detail shows some of the poetry written to express the tragic loss and sympathy for the people who
have suffered. According to the display panel, the students understood that the Day of the Dead is about “rejoicing death as the second half of the journey” and that their project should be festive like a birthday party – “remembering the good of people and celebrating their entrance into a new world.”

This more traditional ofrenda (below) features La Flor de Cempasúchil: Flower of the Dead. Cempasúchil flowers have been used as offerings for centuries and symbolize the illumination of the night the way the sun illuminates the day.


And as a bonus, if you visit the museum before Nov. 28, you can also see a second exhibit called Millas y Kilómetros. This brings together the work of nine artists of Mexican descent currently working in Chiapas and Chicago. Here is just one sample by Juan Chawuk called “Migrant Nahual.”


 Detail


Detail




Website links:
National Museum of Mexican Art
Latino Arts Gallery at the United Community Center

Read my post about Milwaukee's two Day of the Dead exhibits here.

P.S. I apologise if the spacing on this post looks a bit screwy. Blogger is giving me a lot of trouble (and I'm not happy about it! - is anyone at Blogger listening?!!!)