Art City Asks: William Zuback

Art City Asks is a feature of JS Online. My interview with Bill Zuback was posted there on May 27:

Amanda, from the Dress Series

Who are you? How do you feel about yourself? How do you present yourself to the world around you? These and other fundamental, sometimes uncomfortable, often complex, questions of identity drive much of Milwaukee photographer William Zuback's creative output. Zuback may be motivated by newsworthy social issues such as bullying, discrimination and stereotyping. He might as easily find inspiration in a poem or other literary sources.

Like identity, which can be a thick stew of psychological, social, emotional and experiential ingredients, it is hard to categorize Zuback's photography. The work ranges from straightforward, almost classical nude figure studies to bizarrely surreal still-life confections.

Life on the Margin, from a series called “shutters/deadends/lens/pens”

Two things do unify a prodigious and diverse artistic practice. In a field gone digital and overwhelmingly done in color, Zuback chooses traditional studio processes and a time-honored palette of black and white tonalities. And although the force of his subjects' personalities can be powerful, his metaphors are subtly evocative, his compositions nearly always carefully and overtly constructed.

We met at the secluded lot in West Allis where Zuback lives and works. He ushered me into the windowless garage that serves as his studio. I was invited to sit in an old cushioned armchair while he sat on a folding chair. The dimly lighted space was cluttered with a wide variety of objects, including many dolls and manikins in various states of dress and dismemberment. Bill's calm, warm demeanor made it all feel inviting.

--> Jane Doe, from the Identity Series The artist's disarming serenity might explain how he attracts subjects and convinces them to reveal themselves physically and emotionally to his probing camera. After graduating from well-regarded Brooks Institute of Photography in Santa Barbara, California, Zuback returned to his West Allis roots where he and his wife raised two now-adult children. He supports his personal practice as the supervisor of the photography studio at Kalmbach Publishing Co.

Zuback is represented by the Frank Juarez Gallery in Sheboygan. His work has been shown at a variety of local venues including the Wustum Museum, the Museum of Wisconsin Art, and the Charles Allis Museum.

Ashley, from the Dress Series

"The Dress Series," Zuback's current body of work, was inspired by a poem called "A Dress of Fire" by Dahlia Ravikovitch. The series will be the subject of a solo exhibition at the University of Wisconsin-Parkside in September. These images continue his fascination with identity and explore the psychological and social implications of feminine formal attire.

To read Bill's thoughtful responses to the interview questions go to Art City Asks.

Diverse trio of shows at Madison Museum of Contemporary Art

Diana Parker, grade 12, Surreal

One of the three very different shows currently on display as you enter MMoCA from State Street is immediately visible through the glass wall on your left. Maybe it’s my years of experience in teaching, but I love seeing art made by young people and I’m always delighted when distinguished institutions like this one provide space and therefore support for children’s creativity. In a time of fiscal austerity (and, in my opinion, misguided priorities that demote the arts in education, if not eliminating them altogether) it is most important to proclaim artistic achievements in our schools. Young at Art opened March 20. It showcases the complete range – from kindergarten through grade 12 – students from the Madison Metropolitan School District. According to their website, “the exhibition is the result of a long-standing collaboration between MMoCA and the school district’s Fine Arts Department.” Long may it continue! The show runs through May 15.

Alfred Leslie, self-portrait

A small but delightful show drawn from the permanent collection is tucked away in the museum’s Henry Street Gallery. True Self: The Search for Identity in Modern and Contemporary Art “explores the ways artists have understood and conveyed the essence of the self—through facial expression, body language, dress, and the particulars of setting—in a selection of paintings, sculpture, prints, and photographs.” I rarely tire of this fundamental genre and this show includes a wide variety of approaches to portraiture as well as the variety of media listed.

“The notion of the “self,” the essential quality that makes a person distinct from all others, is a core theme in modern and contemporary art. Its primary formats are the portrait and self-portrait, which focus on the identity and psychology of the model. For the artist, the true self is fluid, not fixed; layered, not clearly evident. The true self is both innate and determined by experience and culture. Never consistent, it is often self-contradictory.” True Self runs until June.

Bale, variant no. 17

The featured exhibition, Menagerie by Shinique Smith, fills the vast, open spaces of the second floor gallery. Her output is remarkable, not only for her facility with diverse materials and methods, but for how well they all integrate into a unified ensemble. There are nearly fifty installations that include paintings, photographs, sculptures, drawings, and videos. Many of the pieces are mixed media assemblages of found materials. Bundles of cast off clothing are made into totemic sculptures, inspired by donations commonly made to African countries. Much of the show is composed of site-specific installations that combine the organic forms of these bundles with painting on the gallery walls. Their impact cannot be transferred to images online or in a gallery brochure. The show’s flamboyant visual energy could be overwhelming in a smaller space. With a less deft combination of concept and technique the work’s vibrancy might also threaten to swerve into pure sensual fantasy. But it packs a hefty emotional punch as well. 


In one video the artist herself becomes the bundle. Her face is never revealed, her identity hidden within the folds of fabric, as she struggles with the cords that will leave her bound and mute. You have until May 8 to check this one out. I heartily recommend it.

Shinique Smith, from Menagerie

For more information go to the Madison Museum of Contemporary Art.