The museum likes to use supergraphics to promotes its exhibits. The (closed) door of The Open Road gallery was emblazoned with one of Stephen Shore's images.
Upon entering the gallery you are confronted with the following quote, stenciled in large white print on the charcoal gray gallery walls.
"Joy rides, voyages of discovery, wanderings, migrations, and travel diaries. Is America even imaginable without the road trip, and is the trip itself imaginable without the camera that records, expresses, and promotes such journeys?"
Well, yes. That bit of hyperbole comes out of privileged perspective, of course. But, hey, it's definitely one I can relate to.
Predictably, the exhibit began with the granddaddy of all American road trip photographers, Robert Frank. His famous book is even called "The Americans." (He himself was Swiss.) A reissued edition of The Americans is on my bookshelf, but I always enjoy seeing vintage prints. In Frank's case the surprise is always how small they are. Later in the exhibition the prints get very large.
|Untitled, William Eggleston|
There were prints on the wall too, but I liked the fact that Ed Ruscha's groundbreaking conceptual book, Twentysix Gasoline Stations had pride of place in the vitrine on a large pedestal. The ipad next to it allowed visitors to page through and see all twenty six images in the book. If they wanted to.
|Doughboy, Stamford Connecticut, Lee Friedlander|
|Los Angeles River, California|
As I mentioned in part 1 of this Crystal Bridges series, the museum is attended by a vast number of schoolchildren. This may account for the high level of interactivity interspersed with the actual photographs on display. I thought this was a clever activity. Magnetic strips were provided to allow kids (or adults) to crop the large photo however they liked.
|U. S. 97, South of Klamath Falls, Oregon, July 21, 1973|
This is one of Shore's road trip journals, illustrating how meticulous he was about note-taking (in case the title didn't clue you in already.) Today it's tempting to let the digital camera's embedded metadata or even the iPhone do the note-taking.
|Cemetery, Fountain City, Wisconsin|
|Map, Taiyo Onorato|
Onorato's actual prints were enormous. A striking contrast with those of Robert Frank and Lee Friedlander. Art has to be big these days, I guess.
Speaking of big, Crystal Bridges is. Part 3, the permanent collection, will have to be very selective indeed. Hope you'll stay with me. (To go back to part 1, the outdoor art, click here.)
Part 3, the permanent collection is online. Click here to go there.