|Painting (for Emili Fernández Miró), 1963|
|Village and Church of Mont-roig, 1919|
This one, from 1935, is titled "Man and woman in front of a pile of excrement" just in case, I suppose, you might not catch that detail. It is from a series known as the "savage paintings."
Most of the early work is modest in size but later paintings and sculptures assume a much larger scale. A few vertical ones, such as "Woman, Bird 1" (below) and one of his monumental tapestries (that I didn't manage to capture on my iPhone) take up entire high ceilinged rooms.
The rooftop provides ample space for sculptures as well as panoramic views of the city below.
This triptych, mounted in an alcove, is titled "Painting on a white background for the cell of a recluse, I, II, III" (1968). The wall panel explains that the alcove reproduces the placement of the triptychs in the artist's studio and quotes Miró: "To me conquering freedom means conquering simplicity. At the very limit, then, one line, one color can make a painting."
|Burnt Canvas 1, 1973|
While the majority of work on view is by Miró himself, there are others as well. This complex temporary installation is in a gallery devoted to contemporary artists. It is titled: Plural Being. I am the Others, the Others are Me by artists identified as Momu & No Es.
Of it the website says this: "Plural Being. I am the Others, the Others are Me reflects the constant search for calm in a hectic society. Through a theme park scenario, the exhibition attempts to answer a series of questions about the times we live in, the things we yearn for, and the rewards we expect in return for our day-to-day efforts.
"Momu & No Es present a new installation that recreates a phantomscape through a series of sculptural elements, mantric sounds, suspended images and performative elements that plunge visitors into a space of sublimation and estrangement. A reflection on personal space and on the body as testing ground that questions the human condition in a hyperconnected era."
|Woman, Bird 1, 1973|
Other sights and scenes from my visit to Spain--including La Sagrada Familia and several other amazing feats of architecture by Gaudí--can be see on Flickr.
Thanks, Eddie. Miro is one of my favorite artistsReplyDelete
Thank you for sharing. I liked the triptych I,II, III.ReplyDelete
those blow torch burnt pieces are horrid. why present this … was he crazy at the end.. how a museum can destroy an artist with this kind of presentation. what about the diagonal line work…what does this mean. I think he ran out of ideas and creativity by throwing paint.ReplyDelete
Useful article, thank you for sharing the article!!!ReplyDelete
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