“Secret Sculpture Garden” opens at Milwaukee Hilton

Joel Pfeiffer’s steel and glass “Walk of Wonder” is inaugural exhibit

Milwaukee’s newest art venue, the Hilton Milwaukee City Center hotel, inaugurated a sculpture garden with a gala opening last night. The “secret” must refer to how hard the garden is to find without asking (if you haven’t been there before.) It certainly isn’t being kept a secret. The publicity for the show brought out a host of visitors. I arrived early and it was already crowded.

Perhaps the secret is why it took so long for the Hilton to capitalize on such a wonderful space to showcase sculpture.

The monumental steel and glass works by Hartland sculptor Joel Pfeiffer are perfectly suited to the formal garden. Rigorously geometric polished steel forms are accented with similarly geometric glass. For me, the “Walk of Wonder” in the show title was most evoked when the bright evening sun shone through the swirling glass patterns.

Pfeiffer is not new to sculpture on a monumental scale. His 9’x38’ ceramic “peace mural” hangs in the D concourse of Milwaukee’s Mitchell International Airport. That fruit of an international goodwill “clay stomp” involving thousands of people and 6 tons of clay has a twin in St. Petersburg, Russia. The auspicious year of its creation was 1989.

Long known for his ceramic art and over 80 of his collaborative clay stomps, Pfeiffer has more recently turned to glass making. All of the sculptures in the “Walk of Wonder” were made within the past three years, he told me.

Joel Pfeiffer

I hope this will be the first of so many sculpture shows at the Hilton that it won’t feel like a “secret” garden for long.

What do Harvey Littleton and Phil Everly have in common?

Besides the fact that both died recently, that is. At a glance they appear to have very little in common. Harvey K. Littleton was a glass artist and U.W.--Madison art instructor whose work became known in the 1960s and 70s. Phil Everly was half of the Everly Brothers, pop musicians with chart-topping hits in the 1950s and 60s.

What they had in common also transcends the success and fame that each achieved in his respective creative discipline. Littleton's unique style of glass-making led his work to be collected by museum's all over the world. The Everly Brothers not only had a consistent string of hit songs with a similarly unique style but were among the first inductees into the Rock and Roll Hall of Fame the year it opened. But what really marked the careers of both was the influence they had on their disciplines and the reverence with which their example was held by later generations of practitioners.

At Madison Littleton founded what became known as the Studio Glass Movement. Furthermore, he taught many equally gifted and occasionally more famous glass artists (Dale Chihuly, for example.) This piece, called Lemon/Red Crown, is owned by our own Milwaukee Art Museum.

Likewise, not only have many musicians covered songs first made popular by the Everly Brothers, including The Beatles, Linda Ronstadt, and Simon and Garfunkle, but their influence is pervasive across the genre lines of Rock, Country, R&B, and Rockabilly.

On a more personal note, while I never took a glass-making class or met him myself, I did attend the University of Wisconsin in the mid-70s when Littleton was at the pinnacle of his career. No one could take art at Madison and not be aware of his stature. I remember walking past the glass studio, which was on a separate part of the campus from the rest of the Art Department. It always had a air of mysterious power, as if it weren't quite part of the real world. Undergrad fantasies perhaps. But the glass that was produced there and exhibited around campus was sublime.

To read the obits go to:
Harvey K. Littleton, Pioneer in Glassworks, Dies at 91
Phil Everly, Half of a Pioneer Rock Duo That Inspired Generations, Dies at 74