Showing posts with label danceworks. Show all posts
Showing posts with label danceworks. Show all posts

Monday, April 18, 2016

Bayou's State: dancing into oblivion

Andrea Burkholder wants you to know she's a cajun. She cooks a cajun dinner for the audience cum guests who arrive to participate in her creation, called Bayou's State. A spirit of collegiality and community ensues. After dinner everyone decamps to the theater to witness Burkholder as she performs a dance that is equal parts personal history, contemporary abstract movement, and theatrical treatment of a dramatic and tragic slow-motion environmental disaster. The environmental story relates the destruction of coastal wetlands in the Mississippi delta.

Afterwards, the people in the theater, who have taken on several collective identities during the evening, including dinner guests, audience, and witness, have become compatriots. They are invited back into the dining room for dessert, drinks and deconstruction of the evening's experiences.

I was privileged to collaborate with Andrea. My photographs of the KK River graced the dining area as well as the stage, and her set decoration was inspired by my series of fence images from the Little Menomonee River Superfund clean up site. I am kicking myself mightily for neglecting to take installation shots of the display, but here are a few that represent the performance (shot beforehand.)






Bayou's State took place at Danceworks over the weekend. I look forward to seeing what Burkholder has in store for future performance events!


Sunday, June 21, 2015

Fairy Queen Fantasy at Lynden Sculpture Garden: Bravissimo!


If you made it to the performance, then you've experienced the magic and I don't have to say a word. Enjoy a few photographic reminiscences.

If you missed Fairy Queen Fantasy, which was performed twice this weekend on the grounds of the Lynden Sculpture Garden, allow me to give you a small taste of earthly and other delights.


The fairies, who could appear from anywhere, were warm and welcoming.


The story, adapted as an opera by Henry Purcell, was based on Shakespeare's "A Midsummer Night's Dream." While I'm not normally an opera fan, the few that I've seen and found memorable have stretched the genre in creative ways. I will remember this one a very long time.


Over 50 performers led an audience estimated at over 400 (on Friday evening) in two directions around the central pond. Professional members of Danceworks and Milwaukee Opera Theater were supported by a cast ranging in age from seven to seventy-seven (I was told.)


The settings were stunning as musicians and dancers alike took advantage of the monumental sculptures that grace the landscape.


The lighting was spectacular!


The musicians were suitably dignified and occasionally--and appropriately--undignified. They managed to be heard in the outdoor environment, accompanied now and then by sirens on Brown Deer Road and bullfrogs in the pond.


Even the younger fairies were poised and well practiced...


...and when they weren't performing themselves, they were engrossed by those who were.


At the climax, when both groups of performers and their trailing audiences had made a full circuit and returned to the patio, the audience was invited to join in the fun.


In the end, in what seemed to be (from the startled and amused looks on the musicians' faces) an impromptu departure from the script, Oberon swept Titania off her feet.

But wait, there's more. If you'd like to see the complete set of photos from both a rehearsal and the Friday night performance, go to my flickr album.

Full disclosure: I am serving as one of the Lynden's Artists in Residence for 2015.

Thursday, June 18, 2015

Danceworks' Fairy Queen Fantasy will enliven the Lynden this weekend

The latest in a series of creative collaborations with arts organizations will unfold throughout the grounds of the Lynden Sculpture Garden on Friday, June 19 and Saturday, June 20. Danceworks is presenting a tour de force adaptation of a piece by Purcell called Fairy Queen Fantasy. The performance involves 53 dancers aged 7-77, along with a host of musicians.

I went to a rehearsal last night and I was quite captivated by the performance, even in the rough form of a stop and start rehearsal. The action moves throughout the grounds, weaving around and through many of the sculptures (as you can see from the photos.) Here are a small selection of images. To see the complete set go to my flickr album.

For more information about the performances go to the Lynden Sculpture Garden website.









To see additional images from the rehearsal go to my flickr album.

Full disclosure: I am serving as one of the Lynden's Artists in Residence for 2015.

Tuesday, June 12, 2012

SpeakPeace at War Memorial - Art Museum


Milwaukee’s War Memorial and Art Museum have long been strange bedfellows, sharing space in what has become a mélange of architectural forms at their premier location on the lakefront. But their often disparate missions have found an intersection in a new exhibit with the evocative title SpeakPeace and the cumbersome, though precise, subtitle, American Voices Respond to Vietnamese Children’s Paintings Exhibition.

The display includes 34 paintings by Vietnamese children responding to themes of war and peace out of intensely felt personal experiences that those of us fortunate enough to have lived without such experiences can only begin to imagine. Each painting is complemented with prose or poetry written by American children, war veterans, and established poets.


This cheerful seeming oil pastel by 14-year-old Do Nguyen Thanh Tam is titled Agent Orange Infection – I go to school with my friend.

Beneath it is Orange Crayons, Orange Sun by Texas poet Michael Mars:

when I was young, I would refuse to use the color orange
I would remove it from my box of crayons, wondering to myself
why all the other crayons in all the other boxes
in all the other countries, stood muted, at attention
refusing to at least lament its use, question its usefulness,
refusing to scream against the untold horrors it left behind
 when it rained down its orange tears on my countryside

why would you ever tolerate any orange
that wilted the leaves on trees, left vines
shriveled to the ground, farmlands barren
maybe you didn’t think you’d live long enough to see
a drawing of me with my friend on our way to school
maybe I didn’t think I’d live long enough
to want to grasp at a crayon once again

long enough to want to color the center of my sun orange


 The opening reception, held Monday evening, was a multidisciplinary affair that included music and a participatory drumming circle led by Jaymes Finlayson and David Stocker of One Drum.

A presentation by the Homeless Veteran Initiative of Veterans for Peace was an eye-opening peek into the plight of homeless veterans in Milwaukee, estimated at 300-400 per day. Poetry was recited, including a passionate one by a “Gold Star Mother” who had lost a son in Afghanistan. Members of the OCA-WI Youth Dancers performed a Chinese fan dance. 


The exhibit is fittingly located in the recently renovated north lobby to the building shared by the War Memorial and Art Museum. This makes it out of the way for visitors using the main entrance. I hope that signage in the main lobby will direct people to the exhibit. Unfortunately, the collaboration implied by the use of this shared space doesn’t seem to have extended to the sharing of information. The museum’s education director, Barbara Brown Lee, who was enticed to the opening by the sound of drumming, told me that she hadn’t known about it beforehand and didn’t think others on staff did either.

Perhaps that oversight can be corrected while there still is plenty of time. The exhibit runs through July 6.

SpeakPeace was created by Kent State University’s Wick Poetry Center and School of Art Galleries in collaboration with Soldier’s Heart, a veterans’ return and healing organization. It’s stop here in Milwaukee is part of an international tour. A local group, Speak Peace MKE, has organized a companion project and exhibit of 6x6-inch paintings that is on display at Danceworks, 1661 No. Water St.

More information about the exhibit and a calendar of upcoming events are available on the Speak Peace MKE website.

My Feelings About the War, from SpeakPeace
My Feelings About the War

It’s always two: black war,
red and yellow peace, one
beside the other. Bombs on
the war side, people fallen,
bleeding from the neck.
Balloons on the peace side,
green grass and children
in bright new clothes.
Their faces are always two
Because of what they have seen.

- Maggie Anderson