Birdman soars!

Went to see Birdman at the Oriental Theater last night. The house was packed. The word is out: Birdman is worth watching. And it was! Not only did I enjoy its mixture of real and surreal, psychological and emotional, but it was textured with such complexity that I felt like seeing it again right away.

The story revolves around an aging actor once famous for playing the eponymous comic book character in blockbuster movies but now trying to make a comeback in theater on broadway. Tortured by doubt, feelings of inadequacy, the desire to succeed and a dysfunctional personal history, he finds himself also besieged by the rigors of the theatrical production. He is surrounded by characters--other actors, stage manager, family members, theater critics and the general public--who can be supportive but often are volatile, sometimes abusive.

My favorite movie ratings site, Rottentomatoes.com, indicates that the critics like it somewhat more (94%) than audiences (87%), though still a respectable rating. The difference is understandable. If you went to it expecting more of the action hero comic character that lurks behind all that the real, fragile human actor does, then you might be disappointed.

The acting is superb. Keaton is outstanding in the lead role. Ed Norton deserves a nomination for best supporting actor, playing an overbearing, self-absorbed celebrity genius actor who drops into the cast at the last moment. The story is based on the literary work of Raymond Carver, whose influence goes beyond providing a vehicle for the theatrical production in the middle of the movie. The tensions and twists characteristic of Carver's short stories are present in the movie from beginning to end.

I don't think it will spoil anything to suggest that one gets the feeling that a Broadway theatrical production is a study in controlled chaos. This fine movie is about pushing the edge between the control and the chaos. I recommend it.

The Fund for Lake Michigan: supporting environmental restoration and innovation

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It didn’t take much persuasion. When Vicki Elkin suggested that we go to Three Bridges Park for our photo session I jumped at it eagerly. The park is one of several projects in the Menomonee Valley that have been made possible in part by grants from the Fund for Lake Michigan, which Elkin administers. As regular followers of this blog know, it is also one my favorite places in the Valley.

We stroll between the contoured slopes of park hills that rise from a formerly flat rail yard. Fresh green grasses and newly planted seedlings emerge from burlap staked down to prevent erosion during this fragile stage in the process of vegetating the park. A row of boxcars sits idle on one of the remaining tracks adjacent to the park. The human hand in creating what eventually will become natural-seeming habitat is everywhere apparent. It’s an example of what I like to think of as “intelligent design” and an appropriate setting to talk about Elkin’s role as Executive Director of the Fund for Lake Michigan as well as the variety of environmental, scientific and technological projects it has enabled. (A photo essay of 3 Bridges Park development follows.)

The Fund’s mission is to provide financial support for efforts to improve the health of our Great Lake, which includes both the shoreline and tributary watersheds. The Fund focuses primarily on projects in Southeastern Wisconsin and the Menomonee Valley has particular appeal. “So much is happening in the Valley that generates interest in projects here,” Elkin tells me. “There’s a lot of buzz and we have great partners like the Urban Ecology Center, the Water Council, MMSD and the Menomonee Valley Partners.”

Moreover, she says, “the Valley projects are a microcosm of the types of projects we like to fund where you’re making improvements to water quality and supporting demonstration projects, but also having an economic impact. The fact that we’ve been able to support both habitat restoration and innovative stormwater projects is perfect for us.”

In addition to Three Bridges Park the Fund has contributed to several other Valley projects and plans for more in the future. Elkin describes some of them for me.

The green roof at the Global Water Center “isn’t just any ordinary green roof,” she assures me, “it’s a research lab monitored by the UWM School of Freshwater Sciences to test what works best under what conditions.”

Two industrial-sized rain barrels have been installed under the 35^th Street viaduct that will capture and filter 68,000 gallons of rainwater a year, reducing the amount of polluted runoff flowing into the Menomonee River.

At the Reed Street Yards a number of innovative stormwater initiatives are “pushing the envelope of systems for capturing rain and filtering stormwater.” One of the goals of the Reed Street Yards development, as in other parts of the Valley, is to capture all stormwater on site. (A photo essay of the Reed Street Yards development follows.)

Upstream on the Menomonee River Milwaukee Riverkeeper and MMSD are working to remove impediments to fish, such as concrete weirs and low dams. This will not only improve the river for fish habitat but also for the human visitors that already have made the Valley a popular destination for fishing.

Finally, the project that has me as excited as it does Elkin is the proposed Burnham Canal restoration. This disused canal is one of few remaining that once provided barges and other watercraft access to businesses throughout the Valley. Currently “it’s an eyesore and a liability,” as Elkin puts it. The project is intended to restore the concrete-lined, polluted canal to sustainable wetland wildlife habitat. “I think it has the potential to be transformative,” says Elkin, “and could be an example for other parts of the Great Lakes of how to do restoration in a highly urbanized, industrial area.”

The Burnham Canal project also exemplifies visionary leadership as well as the momentum of revitalization in the Menomonee Valley. “It’s a Superfund site now,” Elkin tells me. “The canal could just be capped and otherwise left as is, but there’s so much happening throughout the Valley that it seems right for this to be the next area for revitalization.  I really commend MMSD for putting forward a bold vision for restoration of the site.” Building upon the success of Three Bridges Park, “we can bring nature to the east end of the Valley, turn liability into an asset.”

I ask about the Global Water Center, which is where the Fund’s office is located at the downtown edge of the Menomonee Valley. “I love it!” is her enthusiastic reply. “Watching the Water Council and water cluster develop first hand is inspiring. There’s a lot of interaction and positive energy, creativity and people excited to work together. It’s refreshing for me to work in such a strong community.” She finds it exciting to work with the people who “are at the cutting edge of the types of projects and innovative water quality technologies we’re funding.”

As we wrap up our session at Three Bridges Park Elkin points across the Menomonee River. There, in contrast with the newly refurbished riverfront of the park, the north bank stands in wild abandon. Thickets of buckthorn and other invasive species create a dense snarl. Clearing the bank of invasives and extending the park trail along the north bank is a planned future project, she says, and the Fund for Lake Michigan is ready to make a contribution.

Elkin grew up in Chicago and identifies with Milwaukee and particularly the Menomonee Valley. Her father, an urban planner, worked on redevelopment of Chicago’s inner city neighborhoods. “I like Milwaukee’s mix of cultures, having industrial and residential neighborhoods near each other and seeing that what’s happening here really makes a difference in people’s lives. We’ve got it all here in the Valley.”

Two short photo essays of Fund for Lake Michigan projects:

Three Bridges Park

2008

2009

2012

2014

Reed Street Yards

View from Sixth Street 2006

March 2014

March

May

May

June

June

July

August

For more information go to the Fund for Lake Michigan website.

This post is one in a series that relates to my Menomonee Valley Artist in Residency. For more information about the residency and links to previous posts and photographs, go to MV AiR.

Ofrendas: Art and offering

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We all die. I was reminded of that in church today. As undeniable as that truism is, it isn’t a popular message in our culture in or out of a religious setting. Other cultures don’t have the same aversion to death, however. We are reminded of this each autumn around this time when the over-commercialized holiday of Halloween is accompanied, as it increasingly is, by the Day of the Dead.

Alverno College Ofrenda, detail (UCC)

The traditional Mexican observance of Día de los Muertos was a family affair held in the home or at a cemetery where ancestors were buried. Altars called Ofrendas ("offerings" in Spanish) often were lovingly created to honor the dead. Over the years this reverential folk tradition has been expanded and Ofrendas have become more diverse. Today in Milwaukee you can find contemporary versions of Ofrendas in several local art galleries. Many of them hew closely to the time-honored conventions that feature skull motifs, skeletal figures, flower arrangements and foodstuffs, along with photographs and other images of the deceased.

Others take the themes of the occasion as a point of departure to make artistic, societal and even political statements. Over the past week I visited three galleries that have chosen to recognize the Day of the Dead by inviting artists and others to create Ofrendas on site in their spaces. I’ve taken some photographs (which should be no surprise.) In most cases I didn’t capture the whole Ofrenda, choosing instead to focus in on a detail that caught my attention.

My hope is to encourage you to visit these places and spend some time with the Ofrendas in their intended context. Their meanings cannot be taken in at a glance in any case and they deserve to be experienced in the reverential spirit with which they were created.

Thoughtful descriptions or artists’ statements accompany many of the Ofrendas. I have included excerpts from some of them.

Alfons Gallery

The Alfons Gallery is a bit off the beaten track, located on the second floor of the imposing main building of the School Sisters of St. Francis campus on South 27^th St. The gallery invited artists, interns, staff, and volunteers at Redline Milwaukee to collaborate in a single large altar. I particularly enjoyed seeing this Ofrenda within its religious context, among the permanent collection of sacred artworks.

Walker’s Point Center for the Arts

Leann Wooten: “It was very healing for me to work on this piece with my father in mind. I felt a spiritual connection to him on this artistic journey….” 

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Sue Vliet: “Beautiful, laughing brown eyes, my paternal grandmother had kind eyes, always full of mirth and mischief. My memories of her are clear and happy…. She allowed me to eat cake for breakfast, kept an can of ‘spray’ whipped cream in her refrigerator for special snacks, took walks with me, listened to my stories, and laughed at my jokes.”

Gary Niebuhr: “I am not comfortable…thinking about my own mortality. I would rather think about someone else’s mortality…. I never practiced the witchcraft of art until after the passing of my father. I often wonder if his death was a freeing experience or if it is the shadow of guilt that follows me. “

Sally Kuzma: “This ofrenda is in memory of my mother Ellie….  The word for bellybutton—a tangible connection to our mothers—hangs in the air, contributed by friends, colleagues, and students of mine who have ties to dozens of different languages.”

Latino Arts Gallery

United Community Center

“Remembrance Altar” (detail) by the UCC’s art therapist and selected clients in honor the memories of loved ones who have passed away.

Jeanette Arellano: “This altar is dedicated to our loved ones who have lived with mental illness…. I wanted to make this piece interactive because all of us have at some point in our lives lived with a mental illness or know someone who has, however we keep it hidden as though it doesn’t exist, which is something I can personally attest to.” [Visitors are invited to inflate balloons in remembrance of loved ones with mental illnesses and to think about moments they share with them.]

Ximena Soza: “Nidos Vacíos is dedicated to the sons and daughters that have been lost to violence. Whether it is in Palestine, Ferguson, Milwaukee, or Mapuche land in Chile, the loss of sons or daughters speaks the same language of pain…. My ofrenda is a piece of fabric with a dress and a nest in the center representing the grieving process of mothers and families, the emptiness of death lives in those who are alive.”

Clay relief sculptures with acrylic paint by second grade students at Bruce-Guadalupe Elementary School based on discussions about community wishes.

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What do George Washington and Vince Lombardi have in common? How are these and other well known historical and pop cultural figures related to deceased parents, grandparents, and family pets? They are all well represented in the wall-sized, multidisciplinary and collaborative ofrenda created by fifth graders at University School of Milwaukee.

detail

This was a lovely experience, clearly a crowd favorite at the opening reception Friday evening. I witnessed many people carefully viewing each of what seemed like hundreds of tiny individual memorials that make up this ofrenda. 

detail

detail

On Saturday, November 1 there was a Día de los Muertos parade in Milwaukee. If you missed my earlier post and photo essay about that, click here to see it.

Milwaukee’s Day of the Dead 2014: A photo essay.

Día de los Muertos in Spanish, the annual remembrance called the Day of the Dead originated in Mexico. Its traditional purpose has been to remember family and loved ones who have died and it is observed between Oct. 31 and Nov. 2 to coincide with the Catholic observances of All Hallow’s Eve, All Saints Day, and All Soul’s Day.

Milwaukee’s celebration of Día de los Muertos has expanded upon the tradition. Added to the personal Ofrendas (shrines created by individuals or families to honor and remember the dead) and a solemn procession are multicultural rituals, performances, and a vigil for peace. This year’s event was held yesterday, Nov. 1. The festivities took place in Walker’s Square Park and the procession made its way from there in a loop along National Avenue, 5^th Street, and Washington Street.

Prior to the procession a ceremony was held by members of the Hispanic and Indian communities of Milwaukee. At the climactic moment when one of the Indian leaders burned tobacco, honoring the departed and blessing the proceedings, a trio of crows swooped suddenly low over the gathering, cawing plaintively. I wonder which is more believable: that it was an omen or a coincidence?

Decorated skulls and faces painted with death’s head masks are the familiar motifs of Día de los Muertos, of course. For more information about the event go to the official website at diadelosmuertosmilwaukee.com.

To see a complete set of photos from the event, including captions, go to my flickr page.