In the main gallery is Changing Hands: Art Without Reservation 3, the concluding exhibit of a cycle that was "conceived and organized to present a comprehensive and in-depth cross section of innovative and groundbreaking work by contemporary Indigenous artists." The exhibition catalogue goes on to say, "These creative individuals express a new vitality and spirit of experimentation in Native art, often embracing tradition while moving forward and looking towards the future." For a more thorough description go to Changing Hands: Art Without Reservation 3/Contemporary Native North American Art from the Northeast and Southeast, Selected Works.
|Jordan Bennett, Re:Appropriating the Wheel|
|Peter B. Jones, Portrait Jar-New Indian|
|Kent Monkman, Dreamcatcher Bra & Raccoon Jockstrap|
Another compelling exhibit is called STEREOTYPE: Misconceptions of the Native American. In it Cannupa Hanska Luger uses the motif of the boom box to examine and deconstruct stereotypes imposed on indigenous Americans. For more about it, click here.
|The Indian Princess|
The text explains in detail that there is no such thing as an "Indian Princess" since the concept of princess is Western in origin.
|The Plastic Shaman|
Similar to the above, the term "shaman," which originated in Central Asia, has been inappropriately applied to Native American culture.
Finally, the image below is one of a pair by Debra Yepa-Pappin that were hung in the hallway and identified as "recent acquisitions." The title is "Live Long and Prosper (Spock was a Half Breed).